'Making of The Hidden City'－－制作隐匿的城市
'Making of The Hidden City'－－制作隐匿的城市
'Making of The Hidden City'
by Adrian Baluta （Email: a_baluta@yahoo.com）
原文链接：http://www.3dtotal.com/team/Tutorials_3/making_of_the_hidden_city/images/making_of_the_hidden_city01.asp
This image was made for ‘The Lost World’ challenge. I think a hidden city is a lost world, and so I created one on an island – a city hidden by big rocks. I also wanted to feature a ship discovering the place.
（这张图像是为以“迷失的世界”为主题的挑战赛而作的。我想一座被隐匿着的城市也是一个迷失的世界，然后我在一座小岛上创建了它——城市被岩石所隐藏。我还想让一个飞船发现这个地方。）
'Making of The Hidden City'
by Adrian Baluta （Email: a_baluta@yahoo.com）
原文链接：http://www.3dtotal.com/team/Tutorials_3/making_of_the_hidden_city/images/making_of_the_hidden_city01.asp
This image was made for ‘The Lost World’ challenge. I think a hidden city is a lost world, and so I created one on an island – a city hidden by big rocks. I also wanted to feature a ship discovering the place.
（这张图像是为以“迷失的世界”为主题的挑战赛而作的。我想一座被隐匿着的城市也是一个迷失的世界，然后我在一座小岛上创建了它——城市被岩石所隐藏。我还想让一个飞船发现这个地方。）
Step One:
（步骤一）
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I started from a sketch to figure out how the composition of the image should look.
（我开始绘制一些草图来确认这张图像看起来应该是什么样的。）
When I was satisfied with the sketch, I started work, building up the clouds. I used photo textures of clouds and I combined them to create something which I feel is very atmospheric.
（当我对构图比较满意了，我开始构造云层。我使用了云层的照片纹理，并将其混合来制造我所感觉的氛围。）
（步骤一）
--------------------------------------------------------------------------------
I started from a sketch to figure out how the composition of the image should look.
（我开始绘制一些草图来确认这张图像看起来应该是什么样的。）
When I was satisfied with the sketch, I started work, building up the clouds. I used photo textures of clouds and I combined them to create something which I feel is very atmospheric.
（当我对构图比较满意了，我开始构造云层。我使用了云层的照片纹理，并将其混合来制造我所感觉的氛围。）
Step Two:
（步骤二）
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I started adding elements, like the water, rocks, buildings and so on, and I also used a small photographic texture combined to build the whole composition. The process was not so simple though because every layer had a different colour. To fix this, I used the Color Balance and Hue Saturation tools. I made a lot of layers with colour passes, and a painted fog was added to give the sensation of depth. But still, at this point more work was needed on the lighting and atmosphere.
（我开始添加一些元素，例如水，岩石等等，我同样使用来一些照片纹理来混合以构建整个作品。这个过程不是那么容易，因为每一层都有不同的颜色。为了修正这一点，我使用色彩平衡和色相饱和度工具。我制作了大量的校色之后的图层，并绘制了一些雾来添加场景的纵深感。但是，在这里，对于光线和氛围需要做更多的工作。）
（步骤二）
--------------------------------------------------------------------------------
I started adding elements, like the water, rocks, buildings and so on, and I also used a small photographic texture combined to build the whole composition. The process was not so simple though because every layer had a different colour. To fix this, I used the Color Balance and Hue Saturation tools. I made a lot of layers with colour passes, and a painted fog was added to give the sensation of depth. But still, at this point more work was needed on the lighting and atmosphere.
（我开始添加一些元素，例如水，岩石等等，我同样使用来一些照片纹理来混合以构建整个作品。这个过程不是那么容易，因为每一层都有不同的颜色。为了修正这一点，我使用色彩平衡和色相饱和度工具。我制作了大量的校色之后的图层，并绘制了一些雾来添加场景的纵深感。但是，在这里，对于光线和氛围需要做更多的工作。）
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